deep six
• October 15th, 2009deep six is the line, the look was described : as if it came out of a jewelcase submerged in a mysterious shipwreck for more than 400 years. the evolution of different stones in the setting and transformations r of interest 2 me on a deeper level so to speak i attempt to include the emblems for waves ropes and lattices. to keep fluidity. that future ships might have easy passage
sound composed in music lab and amadeus
(0 ratings) experanto nixtor
• October 4th, 2009‘abstract narrative’ fix a moment in time tell a story in color language w/no rejection of forms suggested, are worked in a particular way that separates the imagery from abstract tradition and allow for the eyes tendency to weave identifiable shapes into the fabric of the language. ( language here means visual information
experimenting w/ the idea of abstract narrative perception moving with sound. the music was composed in harmonyx to evoke a feel of jazzlike deconstruction and the progression of images worked through various intriguing balances suggested in the original which is narrative but representational and was used as an illustration in a previous piece. upon closer examination the strength of the narrative is discovered abstractly and rediscovered through shifts in perspective over ever adjusting view and blink changes in association. abstract narrative lets the mind be flooded with impulse reaction and contribution while it boldly almost volcanically erupts in the color fields of eye and mind
(1 ratings) tango dreaming
• September 24th, 2009the joke from ’sex and the city’ came up about the post-it-note the guy stuck to the laptop monitor that said ‘i just cant do this any more’ or something. she found it on her way to the kitchen the morning when she awoke and wondered where he was. later that night she was about to be pulled in by a policeman who caught a cloud of her exhalation puffing on a joint inside the limo doubleparked in front of the slittery cafe. ‘this has got to be the worst day of my life, first my boyfriend breaks up with me on a post-it-note and now this’ and the cop said, ‘a post-it-note? i dont believe it…’ and she said ‘yes a post-it-note’ and then produced the crumpled thing from her pocket. the cop looked at it and then said ok forget it you’ve had enough for one day waved her off and zipped away on his motorbike.
long way of saying short hidden dimensions r ribbons and woven, the back side of the mirror, the nebulous space in the wall that dissolves a portal to the fourth d, the toy doll that talks, a robot pattering program after the brain of your mother, wild ivy, deja vu du diligentlemen and all and all.
unleavened and leftovers all and all and melt the matzo in the soup.
(1 ratings) embeddable objects
• September 5th, 2009the words:
“Two, almost three manifestos by Andre Breton define surrealisme. automatism with no second hand 2 tok 2 tik. Emphas is on psychillogical surge of voice dvoid of controls suchas reason or ethics or aesthetics as they were determined at that time but borne by nature naked of pure visualization and thought itself (or themselfvs
then, is it actually possible to think more than one thought atta (tomic) time? per moment, or as a moment may b divined in thoughtform. so time like a slab of clay is thrown on a potters wheel and maulded mudded i mean moulded into a vessel shaped something like melting. the planck length of a moment etermined d bio string of ords w mages i contained therein ree orm abric f3 with a zipper that divides one from the next space. (then,) punks chewing gum with a smirky shun and a stungun and move northwest to a magnified timezone with no real boundaries. the edges as the map shows correspond to the perifloral shape of the cranium basically in yore head.. ..so there are pages and leafs, phosphorescent yellow highlighting and dustballs of thought which r documentable.
now breton wanted to clip the pages and rearrange them, why not he thought later. because in (combing wombing and) combining disparate (variotous) slices of fresh (pickly) coldcuts (and cheez) one was able to create a delicious new (melted) sandwich, agreed.”
(1 ratings) 8 min exercise
• August 15th, 2009138 BPM music for athletic training (sample)
8 min of potential 40
w/short phrasing and swift changes here fleshed out there
(1 ratings) critical
• August 2nd, 20092:50
make change
photographs by courtesy, digital effects art and music by tipota
produced by tipota
all rights reserved. please do not use copy or broadcast without permission
(1 ratings) circuit dialogue
• June 20th, 2009.
This piece “the shuttlecraft on a joyride” submitted here was conceived and completed rather quickly using good old ‘record while playing live’, in this case the instrument is a musical typewriter (garageband) using a minimum of notes (4 usually) in two patterns determined by alternate bounceback settings of circuit dialogue, there are other layers added, all except the drums are subjected to the same treatments and then the rhythm is finertuned in amadeus. It moves more slowly when the drums take over than what I first expected a shuttlecraft to feel like aside from the seriopus thrill of such a joyride except how outer space might feel different in terms of time and speed. anyhow, it turned out much like one of my primary early influences in electronic music, terry riley. but with sparser precision harmonics and less duration, some silvery and rusty sounds that break away, and the drumming upfront it needed in places to soundflesh out some suggestion of rhythm as it moves in and out of structure. a ride on the shuttlecraft, godspeed…
(1 ratings) « Previous entries ·
